![]() ![]() Because on non-Mac gear, the Rec.709 video file will probably be displayed with a correct 2.4 gamma. That LUT will essentially push the midtones and shadows a bit darker in the exported file, so that when viewed on a Mac, outside of Premiere, the file will look more like it did while viewed in Premiere.īut of course, then outside of the Mac-sphere, on a non-Mac system, that file will now be a lot darker than it appeared on the Mac within Premiere. So the image typically is darker within Premiere than outside on the same Mac computer. ![]() Premiere always attempts to operate by the Rec.709 standards, including it's internal monitors which are not 'controlled' by ColorSync. ![]() So Rec.709/SDR video files are displayed with lighter shadows and mids on a Mac, than they would be if displayed with the "normal" Rec.709 gamma of 2.4. is caused by the Mac OS color management utility ColorSync applying a non-standard gamma to Rec.709 video files.ColorSync, for some reason, uses a 1.96 gamma. ![]()
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